I've often suggested you study and adapt other artists ideas.
I've even gone so far as to encourage you to steal ideas from other artists, since this thievery is a time-honored tradition among artists.
In fact, I'm willing to bet the prehistoric hunters who painted the cave walls of Lascaux studied and learned from each others work.
But, please notice, I am not advocating that you try to exactly copy or clone someone else's style. I have no respect for that crap.
What I am advocating is you should study the work of artists you admire and their ideas as a starting point to develop your own style, your own way of working.
As an example, I want to show you something from my own development.
Below is an illustration I did many years ago for a publisher of
Sunday school materials. The assignment was to depict the biblical scene
where Samson destroys the temple.
Around the time of this job I
had begun to study and adapt other artists ideas that I say in the
illustration field. Especially the ideas from the work of the great
illustrators of the day.
I was especially drawn to how powerfully David Grove and Michael Dudash simplified their subjects and designed their compositions.
I studied the way they painted, and I experimented to see if I could create in watercolors the same effects they got with acrylics and oils.
The illustration below is one such experiment.
I found that I could apply watercolor more thickly and then...
When it dried I could go back into it with a damp brush and pull off paint where I wanted lighter areas.
After that it was a simple matter of applying some dark color to create more contrast in the people.
Even
though I used a very simple, monochromatic color scheme for this
illustration, the result was still an interesting painting.
When you adapt other artists ideas...
All too often beginning artists make it complicated by not learning how to simplify their work.
By
studying the work of people I admired, I learned how to eliminate
unneeded detail. I learned how to reduce my idea to its simplest terms.
I learned to See with my imagination. (I had photographic reference for the three foreground figures, but everything else was from imagination.)
I learned to create structure – that is, I learned how important design was to creating a good painting.
Notice how I designed this painting so your eyes go immediately to Samson, then to the people in the foreground.
But, I want you to realize the story doesn't end there.
I stopped using watercolor years ago. But I found when I turned to pastels that I was still using what I learned from watercolors.
I was still studying and trying to adapt other artists ideas - this time in pastel.
I still loved having a color tone on the paper and creating lights and darks out of it and even let the paper color show through in places.
You can see what I'm talking about in my online gallery especially in the figurative work.
My painting style today resulted, because I studied the work of people I admired, people who used completely different media than I did.
It can do the same for you. Be willing to study and adapt other artists ideas. You never know where they will lead you.
Those ideas could lead to finding your own voice, your own style in your art.
Founder of BeginningArtist.com
Without art the crudeness of reality would make the world unbearable. (George Bernard Shaw)
P.S. When you study the work of other artists, when you adapt other artists ideas, you can begin to reduce your own struggles.
If you don't learn from other artists you are constantly trying to reinvent the wheel.
They already went through this learning stage, allow their work to teach you some of what you don't know.
Figure out how they created their designs. Figure out how they created their images.
Otherwise, art can be a needlessly frustrating endeavor.
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